SEARCH

Found 322 related files. Current in page 1

harga kamera dslr nikon D60

SNMPTN 2012 - Siap Belajar
by top markotop 0 Comments favorite 8 Viewed Download 0 Times

SELEKSI NASIONAL MASUK PERGURUAN TINGGI NEGERI Disertai TRIK SUPERKILAT dan LOGIKA PRAKTIS Tes Potensi Akademik Penalaran Verbal (Sinonim, Anonim, Analogi) Disusun Oleh : Pak Anang Kumpulan SMART SOLUTION dan TRIK SUPERKILAT Pembahasan Soal SNMPTN 2012 Tes Potensi Akademik Kode Soal 613 Penalaran Verbal (Sinonim, Anonim, Analogi) By Pak Anang (http://pak-anang.blogspot.com) 1. air : .... ≈ .... : hampa A. sungai – ruang B. kering – udara C. dingin – pengap D. es – kosong E. tetesan – vakum 5. hijau : .... ≈ .... : laut A. lumut – ikan B. klorofil – ombak C. rumput – pantai D. daun – asin E. hutan – kapal Pembahasan: ”Dinamakan kering karena tidak ada air, disebut hampa karena tidak ada udara.” 2. Pembahasan: ”Secara umum warna dari daun adalah hijau, secara umum rasa dari air laut adalah asin.” oven : .... ≈ .... : foto A. roti – kamera B. pemanggang – album C. panas – lensa D. gosong – model E. matang – fotografer 6. gurun : .... ≈ .... : hutan A. pasir – belantara B. sahara – pohon C. oasis – sungai D. matahari – rimbun E. kering – lebat Pembahasan: ”Hasil keluaran dari oven adalah roti, hasil keluaran dari kamera adalah foto.” 3. Pembahasan: ”Gurun yang luas dapat ditemukan di Sahara, pohon yang banyak dapat ditemukan di hutan.” murka : .... ≈ .... : benturan A. sedih – sakit B. mencaci – luka C. marah – tabrakan D. cemberut – tendangan E. kecewa – dorongan TRIK SUPERKILAT: ”Kata benda : Kata benda ≈ Kata benda : Kata benda” 7. ”Murka adalah salah satu jenis kemarahan yang hebat, tabrakan adalah benturan yang hebat.” produksi : .... ≈ perjalanan : .... A. pabrik – arah B. produk – tujuan C. mesin – kendaraan D. pekerja – kecepatan E. upah – pulang TRIK SUPERKILAT: Pembahasan: ”Kata sifat : Kata benda ≈ Kata sifat : Kata benda” ”Yang diharapkan dari proses produksi adalah produk, yang diharapkan dari sebuah perjalanan adalah tujuan.”

Digital SLR Sensor Cleaning for Beginners August 08

Why does the sensor get dirty? Recognising when the sensor is contaminated. The basic internal parts of a Digital Single Lens Reflex Camera The best strategy to ensure a safe and successful sensor clean. The different sensor cleaning methods available today. When to clean the sensor Cleaning the Mirror and Focussing Screen Hygiene After reading through this material you should have a good knowledge of the inside of your DSLR, know when the sensor is contaminated and how to safely clean it using a method of your choice. The guide is quite long, as the intention is to educate as well as to inform. If you wish to skip any section, please use the chapter links above to move quickly around the article. Why does the sensor get dirty? Ten years ago, when most images were shot on film, dust was not much of a problem for photographers. Since a fresh piece of film was used for each exposure, any dust present on the film only affected that single exposure. Of course dust was a big problem for the photo laboratories that developed and printed film. A good lab would go to extraordinary lengths to prevent dust spots spoiling your prints. With today’s digital cameras, every exposure is made on the same imaging sensor. Hence a spot of dust on that sensor will appear on every image. Because most compact digital cameras have a fixed lens and a well-made case, dust does not often find its way inside the camera and onto the imaging sensor. Although its not unusual for an older compact camera to suffer from the odd spot or two of dust. However a digital single lens reflex camera has a removable lens.

Get more from your digital SLR - Photo Answers

Welcome from Practical Photography editor Andrew James HAS A DIGITAL SLR improved your photography? After a very unscientific straw poll I’ve concluded that most D-SLR users have found that owning one has enabled them to become better photographers. It’s the chance to experiment without incurring extra costs that does it. Therefore, D-SLR users try things that they’d never considered in the film days. Of 2 | Get more from your digital SLR course, that also means that D-SLR users also take a lot of rubbish shots but if they learn from them, so what? Today’s D-SLRs are complex but it’s a shame if you don’t use some of the functions and features that the designers have seen fit to squeeze inside the camera body. This field guide is designed to highlight many of the handy things that your camera will do. Some you will have come across, some may still be hidden within the mind-boggling manual that was supplied with your camera. We’ve mainly used the Canon EOS 350D and Nikon D70s – two of the most popular enthusiast cameras – as our default models here. You may find slight differences in operation if you own different cameras, so refer to your manual if in doubt. I hope you find this guide useful.

DXA-SLR Manual V07 - Beachtek
by cr007 0 Comments favorite 17 Viewed Download 0 Times

The BeachTek DXA-SLR is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. The DXA-SLR is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The built-in signal indicators make it easy to verify the proper input levels at a glance while the level controls allow you to adjust the output level for optimum recording. The headphone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.

DXA-SLR PRO Manual - Beachtek
by cr007 0 Comments favorite 12 Viewed Download 0 Times

This operating manual explains the adapter function settings and how to use the adapter to record audio into the camera. ©BeachTek Inc. 2012 Thank You for Purchasing a BeachTek Product Congratulations on purchasing the most advanced custom designed audio adapter for DSLR cameras available today. This adapter is packed with features to enable you to record professional audio directly to your camera. • Before using this high quality device, please read this guide thoroughly to obtain the highest performance. • Please contact us if you have any problems or questions. Description The BeachTek DXA-SLR PRO is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR PRO uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. This allows you to record high quality audio directly to the camera which will always be in sync with the video. Direct audio recording eliminates the need to have a separate audio recording device and syncing the audio in post editing. The DXA-SLR PRO is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The inputs are transformer balanced for isolation and enhanced circuit protection. Built-in VU Meters makes it easy to verify the proper input levels at a glance, while the level controls allow you to adjust the output signal for optimum recording. Built-in fast acting limiters prevent distortion from overly hot inputs for worry free operation. The phone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR PRO is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.

Canon DSLR Error 99 Fix To isolate the cause of the issue, do the ...

Canon DSLR Error 99 Fix To isolate the cause of the issue, do the following: 1. Turn off the camera. 2. Remove the lens, battery, and CF card. 3. Allow the camera to sit without power for approximately 20 minutes. 4. Insert a fully charged battery, and turn on the camera. 5. Depress the shutter button as you would to take a picture. Does the “ERR 99″ message appear? If it does, then the camera should be serviced. If it does not, then please proceed to the next set of steps: 1. Turn off the camera. 2. Insert the CF card. 3. Turn on the camera. 4. Format the CF card in the camera. 5. Depress the shutter button as you would to take a picture. Does the “ERR 99″ message appear? If so, then the CF card is the most likely source of the issue. Try using a different card. If the message does not appear, please complete the following steps: 1. Turn off the camera. 2. Clean the lens contacts by gently rubbing them with a pencil eraser or soft cloth. Be careful that you do not let any debris fall into the camera body. Detach the lens from the camera, hold it so that the lens’ gold contacts are pointing down and lightly erase their exposed surface, cleaning them of any hand oil that might have gotten on them. You can use a regular old pencil with a red rubber eraser. Do the same thing with the gold contacts inside the camera body. This is a bit harder but it’s doable: just hold camera so lens opening points down so no gunk falls in. Erase lightly inside the camera. 3. Reattach your lens. 4. Turn on the camera. 5. Depress the shutter button as you would to take a picture. If the “ERR 99″ message only appears when one particular lens is attached, then that lens should be examined by a service technician. If you see the “ERR 99″ with a different Canon lens attached, then the camera should be serviced.

Camera Recommendation for Dental Photography January 2014

Camera Recommendation for Dental Photography January 2014 124 Edward Street, Room 346 Toronto, ON, Canada M5G 1G6 Tel: 416-979 4900 ext. 4414 Bauer Seminars: 905-264 9524 rita.bauer@dentistry.utoronto.ca Introduction The digital camera is a necessary tool in every dental practice. The type of digital camera system necessary will depend on the work being done and the output being produced. A Digital Single Lens Reflex, or DSLR, camera system is required for high quality close-up macro photography. A Ring Flash or Ring and Point Flash combination mounted on the front of the lens is required for any intra-oral photography. The lens required is dependent on the views necessary: • • • 90mm, 100mm or 105mm macro lens  extreme close-up, up to 2 teeth 85mm macro lens  up to a quadrant 60mm macro lens  no smaller than a full mouth While all these lenses allow you to focus on very small areas, it also means that the working distance between the lens and the subject is very short. This means that there will be a Using lenses with a shorter focal length, can result in the lens and the flash touching the cheek of the patient, if you try to get an extreme close up view. Restorative Dentists, Cosmetic Dentists, Prosthodontists and Periodontists, need this type of camera system, because of the extreme close up views, colour accuracy and definition that must be documented for this type of dentistry. Orthodontists can use a 60mm macro lens, because they typically document a full mouth. Mirrorless SLR systems: These cameras are currently only useful for hobby photography. While the small size of the cameras is very appealing, and close up views can be obtained with some of the lenses, the problem comes when lighting the objects. I have not found a flash for these cameras that will allow for a well-lit intra oral photograph without shadows. Hopefully this will change in the future. All cameras require a very specific set-up for clinical dentistry photography. Exposure set up and flash calibration will only be provided through photography courses or through purchases from Dental Photography suppliers. Contact Bauer Seminars, Carestream Dental, Dine Corp, Henrys Commercial Division, PhotoMed and Norman Cameras. If you are purchasing equipment through a regular camera ...

DIGITAL CAMERA
by darwis 0 Comments favorite 12 Viewed Download 0 Times

The documentation for this product includes the manuals listed below. Please be sure to read all instructions thoroughly to get the most from your camera. Quick Start Guide The Quick Start Guide takes you through the process of unpacking and setting up your Nikon digital camera, taking your first photographs, and transferring them to your computer. Guide to Digital Photography The Guide to Digital Photography (this manual) provides complete operating instructions for your camera. Reference CD The reference CD contains information on the software provided with the camera. See the Quick Start Guide for viewing instructions. CAUTION: Foreign Matter on the Low-Pass Filter Nikon takes every possible precaution to prevent foreign matter from coming into contact with the low-pass filter during production and shipping. The D2H, however, is designed to be used with interchangeable lenses, and foreign matter may enter the camera when lenses are removed or exchanged. Once inside the camera, this foreign matter may adhere to the low-pass filter, where it may appear in photographs taken under certain conditions. To prevent foreign matter from entering the camera, do not exchange lenses in dusty environments. To protect the camera when no lens is in place, be sure to replace the body cap provided with the camera, being careful to first remove all dust and other foreign matter that may be adhering to the body cap.

DSLR-A330/A380 - Sony
by darwis 0 Comments favorite 13 Viewed Download 0 Times

Preparing the camera Before your operation Shooting images Using the shooting function Using the viewing function Changing your setup Viewing images on a computer Printing images Additional information on this product and answers to frequently asked questions can be found at our Customer Support Website. Digital Single Lens Reflex Camera Instruction Manual DSLR-A330/A380 Printed on 70% or more recycled paper using VOC (Volatile Organic Compound)-free vegetable oil based ink. Owner’s Record The model and serial numbers are located on the bottom. Record the serial number in the space provided below. Refer to these numbers whenever you call upon your Sony dealer regarding this product. Model No. DSLR-A330/A380 Serial No. __________________________ WARNING To reduce fire or shock hazard, do not expose the unit to rain or moisture. IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS. DANGER - TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, CAREFULLY FOLLOW THESE INSTRUCTIONS. If the shape of the plug does not fit the power outlet, use an attachment plug adaptor of the proper configuration for the power outlet.

FMX-DSLR - Azden
by darwis 0 Comments favorite 18 Viewed Download 0 Times

The Azden FMX-DSLR is a 2-channel portable mixer with built-in preamplifiers that will enable you to attach external microphones and other audio gear to any DSLR camera with a built-in mic jack. The FMX-DLSR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. It allows you to connect a wide variety of audio devices including wireless systems, sound boards and professional condenser microphones that require 48V phantom power to operate. The FMX-DSLR is equipped with the AGC On/Off switch that will allow you to control the wild swings of the Auto Gain Control (AGC) that plague most cameras. With the switch in off position, it will reduce noise during quiet moments of recording. The mixer mounts to the bottom of the camera and can also be mounted to any standard tripod.

« previous  123456789