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Salter Spiral Stairs Catalog
by Jonny 0 Comments favorite 13 Viewed Download 0 Times

Spiral Staircases of Un-compromised Design & Strength Salter Spiral Stair has been responding to our customers’ requests for distinctive spiral stairs for more than three decades. When we engineered our first spiral stair line in 1979, we took a good look at what was available in the marketplace. We quickly came to the conclusion that there were only two types of stairs available; simple kits and expensive custom stairs. Our goal was to design a line of affordable spiral staircases crafted with features found only on custom stairs. In doing so, we found new ways to make spiral stairs more beautiful with exclusive features all our own. Today, Salter Spiral Stair has taken its knowledge and manufacturing expertise and creates spiral stair packages for both interior and exterior applications. Our product lines feature stairs constructed of steel, forged iron, solid wood, aluminum, and galvanized steel to meet your needs. Knowing you want a spiral stair to reflect your home’s individual personality, we have a style for every decor. A gracefully designed and carefully crafted spiral stair will be the focal point of its chosen setting. So when selecting your stair, you will want to pay special attention to the standard and optional features that add style and elegance.

Autodesk SketchBook Pro
by Kojack 0 Comments favorite 22 Viewed Download 0 Times

Introduction 7 Sketching.................................................................................................................................................................. 7 Clutch ........................................................................................................................................................................ 7 Toolbar ...................................................................................................................................................................... 8 Information toolbar ............................................................................................................................................. 9 Gestures ................................................................................................................................................................... 9 Zoom into and out of the canvas .....................................................................................................................9 Reposition the canvas ..........................................................................................................................................10 Brush Properties puck .......................................................................................................................................12 Access the Brush Properties puck .................................................................................................................. 12 Resize a brush .......................................................................................................................................................... 12 Corner tools ........................................................................................................................................................... 13 Slider fidelity .......................................................................................................................................................... 13 Glossary Change brushes, colors, and your view 18 Select a brush ....................................................................................................................................................... 18 Radial menu – Select a brush ........................................................................................................................... 18 Editor – Select a brush ......................................................................................................................................... 18 Customize brushes............................................................................................................................................. 19 Change brush properties .................................................................................................................................... 19 Color Wheel ........................................................................................................................................................... 21 Change color panels ............................................................................................................................................. 21 Select a color ........................................................................................................................................................... 22 Color Editor.............................................................................................................................................................. 22 Change RGB and HSB ...................................................................................................................................... 23 Swatch panel ....................................................................................................................................................... 24 Select a swatch ....................................................................................................................................................... 24 Create and change a swatch .............................................................................................................................25 Change your view ............................................................................................................................................... 26 Zoom in and move around a sketch ............................................................................................................. 26 Zoom out of a sketch .......................................................................................................................................... 27 View the full canvas ............................................................................................................................................. 28 Gallery 29 Edit ...................................................................................................................................................................... 29 New/Import .................................................................................................................................................... 29 Export 2SD ..................................................................................................................................................... 29 Share ................................................................................................................................................................. 29 Copy/Delete .................................................................................................................................................. 29 Sketching and painting 30 Create a new sketch ..........................................................................................................................................30 Import a sketch ....................................................................................................................................................30 Layered images ...................................................................................................................................................... 30 Gallery and saving ................................................................................................................................................ 30 Importing a sketch .............................................................................................................................................. 31 Drawshapes ........................................................................................................................................................... 32 Flood fill and area ............................................................................................................................................... 33 Symmetry ............................................................................................................................................................... 34 Undo and redo ..................................................................................................................................................... 35 Undo brushstrokes ................................................................................................................................................ 35 Redo brushstrokes ................................................................................................................................................. 35 iii | P a g e Adding text 36 How do I add text ............................................................................................................................................... 36 Transforming text ............................................................................................................................................... 36 Using layers 37 Layers and the Layer Editor ............................................................................................................................ 37 What are layers? ..................................................................................................................................................... 37 How do I use layers? ............................................................................................................................................ 38 Add a layer ............................................................................................................................................................. 38 Duplicate a layer ................................................................................................................................................. 39 Add an image....................................................................................................................................................... 40 Merge layers ......................................................................................................................................................... 41 Delete a layer ...................................................................................................................................................... 42 Hide and show a layer ..................................................................................................................................... 42 Reorder layers ...................................................................................................................................................... 43 Change layer opacity........................................................................................................................................ 44 Preserve layer transparency ........................................................................................................................... 45 Blend modes ......................................................................................................................................................... 45 Multiply layers ........................................................................................................................................................ 46 Add layers ................................................................................................................................................................. 46 Screen layers ........................................................................................................................................................... 46 Apply blend modes ............................................................................................................................................47 Transforming a layer 48 Move, rotate, or scale a layer........................................................................................................................ 48 Save, export, and post sketches 50 Save your sketch ................................................................................................................................................. 50 Export your sketch .............................................................................................................................................50 Export options ......................................................................................................................................................... 51 Open a saved sketch .......................................................................................................................................... 51 Changing preferences 52 General ................................................................................................................................................................... 52 Brushes and Colors ............................................................................................................................................ 53 Corner Shortcuts................................................................................................................................................. 54 Factory Defaults .................................................................................................................................................. 54 Getting SketchBook information 55 Help .......................................................................................................................................................................... 55 About ....................................................................................................................................................................... 55 News ........................................................................................................................................................................ 55 Appendix - Samsung 56 S Pen Mode .............................................................................................................................................................. 56 S Pen menu .............................................................................................................................................................. 56 Easy Clip .............................................................................................................................................................. 56

Best Practices for Implementing Autodesk Vault

The vault server is the core of the vault, holding all the data and software. There are three key components to the server: the web server, the database, and the file store. Web Server—The web server can be one of two software applications, either Microsoft® Internet Information Services (IIS) or the Autodesk Web Server. The Autodesk Web Server is not covered in this document because it works only for configurations where the entire vault environment is installed on a single computer (Server and Clients with CAD software). IIS hosts components known as .NET Web Services. The web services provide all the logic needed for the vault to operate. Web services communicate with the other components via standard HTTP methods. In fact, all vault communication is via these Web Services over the web server’s port 80. Database Server—The database server stores all the metadata for the vault. By default, Autodesk Vault installs a limited release of Microsoft SQL Server 2000 called Microsoft Desktop Engine (MSDE). You can upgrade MSDE to full SQL Server at any time. Please contact your local Microsoft® reseller for details on pricing and availability. The metadata stored in MSDE is crucial to the operation of the vault. It provides the search index and maintains the file relationships for all the data in the file store. File Store—The file store is the secure location where files are actually stored. The file store and the database server work together, pairing metadata with actual files to provide all the data needed to do your work. This location is controlled by Autodesk Vault. Never access or manipulate the file store directly. Instead, access the file store only through the vault clients, such as Vault Explorer or an application integration, explained in more detail in the next section. Likewise, perform file store maintenance only using Autodesk Vault Manager.

An Enterprise Framework for PHP was missing“ - Typo3

An Enterprise Framework for PHP was missing“ Robert Lemke on the new PHP Framework FLOW3 Robert Lemke is a co-founder of the TYPO3 Association and is managing the development of TYPO3 5.0. T3N spoke to him about the new PHP framework FLOW3, which is not only the foundation for TYPO3, but can also be used for the development of PHP applications. there is a framework in the Java field that does this; but this kind of thing is still lacking in PHP. FLOW3 is tailored more for larger and more complex PHP applications. But for us it is important that a developer gets a good result with smaller applications. As core developers we have only done a good job when an application developer has the experience of flowing: being in the flow, absorbed in his task, not held back by anything, constantly having the goal in view. T3N Magazin: Domain-driven design (DDD), aspect-oriented programming in PHP, a content repository with JSR-Standard and strict programming guidelines: how do you want to bring your vision closer to PHP developers? Robert Lemke is managing the development of TYPO3 5.0 and FLOW3. Mr Lemke, as the development manager you are responsible for the new TYPO3 framework. How did FLOW3 come about? Robert Lemke: You could probably blame a very intensive developer meeting in northern Denmark. There we decided to place TYPO3 on a thoroughly reworked architecture and gave this version the codename ‘Phoenix’. A year later we began concrete preparations and soon came to the conclusion that we could only make the changes we wanted with a complete rewrite. Then in November 2006 I began developing, and there was a lot of foundational work to be done. When you start at zero you have to worry about the application’s infrastructure. We needed a flexible component, package and resource manager and many additional components, all of which actually have very little to do with the task of our application – content management.

Technical analysis - Australian Securities Exchange

Information provided is for educational purposes and does not constitute financial product advice. You should obtain independent advice from an Australian financial services licensee before making any financial decisions. Although ASX Limited ABN 98 008 624 691 and its related bodies corporate (“ASX”) has made every effort to ensure the accuracy of the information as at the date of publication, ASX does not give any warranty or representation as to the accuracy, reliability or completeness of the information. To the extent permitted by law, ASX and its employees, officers and contractors shall not be liable for any loss or damage arising in any way (including by way of negligence) from or in connection with any information provided or omitted or from any one acting or refraining to act in reliance on this information. © Copyright 2010 ASX Limited ABN 98 008 624 691. All rights reserved 2010. All Ordinaries®, All Ords®, AllOrds®, ASX®, ASX100®, CHESS®, ITS® are registered trademarks of ASX Operations Pty Limited ABN 42 004 523 782 ("ASXO"). ASX20™, ASX50™, ASX200™, ASX300™ are trade marks of ASXO. S&P™ is a trademark of Standard and Poor’s, a division of The McGraw-Hill Companies Inc. Version 5 November 2010 Topic 2: ...

DXA-SLR Manual V07 - Beachtek
by cr007 0 Comments favorite 24 Viewed Download 0 Times

The BeachTek DXA-SLR is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. The DXA-SLR is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The built-in signal indicators make it easy to verify the proper input levels at a glance while the level controls allow you to adjust the output level for optimum recording. The headphone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.

DXA-SLR PRO Manual - Beachtek
by cr007 0 Comments favorite 21 Viewed Download 0 Times

This operating manual explains the adapter function settings and how to use the adapter to record audio into the camera. ©BeachTek Inc. 2012 Thank You for Purchasing a BeachTek Product Congratulations on purchasing the most advanced custom designed audio adapter for DSLR cameras available today. This adapter is packed with features to enable you to record professional audio directly to your camera. • Before using this high quality device, please read this guide thoroughly to obtain the highest performance. • Please contact us if you have any problems or questions. Description The BeachTek DXA-SLR PRO is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR PRO uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. This allows you to record high quality audio directly to the camera which will always be in sync with the video. Direct audio recording eliminates the need to have a separate audio recording device and syncing the audio in post editing. The DXA-SLR PRO is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The inputs are transformer balanced for isolation and enhanced circuit protection. Built-in VU Meters makes it easy to verify the proper input levels at a glance, while the level controls allow you to adjust the output signal for optimum recording. Built-in fast acting limiters prevent distortion from overly hot inputs for worry free operation. The phone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR PRO is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.

-Introducing the LUMIX DMC-L1 - Panasonic's First Digital SLR ...

-Introducing the LUMIX DMC-L1 Panasonic's First Digital SLR Camera with Interchangeable Lens Osaka, Japan – Panasonic, the leading brand for which Matsushita Electric Industrial Co., Ltd. is well known, begins sales of its first digital single-lens reflex (SLR) camera with interchangeable lens, the DMC-L1, on 22nd July, 2006 in Japan. In developing the DMC-L1, Panasonic's aim was to create a digital SLR camera that delivers superb photographic rendering capabilities and is a pleasure to use. The DMC-L1 comes equipped with a LEICA D VARIO-ELMARIT lens, the first Leica lens designed specifically for a digital SLR camera and equipped with MEGA O.I.S. (Optical image stabiliser). The DMC-L1 also incorporates a Live MOS image sensor that conforms to the Four Thirds standard and offers 7.5 megapixels to ensure outstanding picture quality. The new camera also introduces a full-time Live View function that, using a signal output directly from the Live MOS sensor, lets users see on the LCD screen the same image seen by the sensor. With full-time Live View and the DMC-L1's large LCD screen, users can compose shots in new ways and with greater ease and accuracy. The DMC-L1 also features a dust reduction system that solves the digital SLR camera's long-standing problem of dust adhering to the sensor. In the new DMC-L1, Panasonic has incorporated today's most advanced digital technologies while maintaining the attractive look and operating feel of the familiar film camera. A shutter speed dial on the camera top together with an aperture ring on the LEICA D VARIO-ELMARIT 14-50mm/F2.8-3.5 lens give the user easy, intuitive control of the exposure. The magnesium-alloy body, which in design closely resembles the body of a rangefinder camera from days past, combines with the aluminium-alloy lens section to offer both high rigidity and a high-grade appearance. With the DMC-L1, Panasonic has created a digital SLR camera that is a pleasure to use and can render photographs of exquisite beauty. Advanced photographers and hobbyists alike will find the DMC-L1 to be an extremely satisfying tool capable of capturing expressive, artistic images. 1. Refined design makes the camera a pleasure to hold and use 2. Superior image rendering thanks to the Leica D lens equipped with optical image stabilisation 3. Live View function allows users to shoot in new ways 4. Dust reduction system prevents dust and other particles from degrading photographs

SolarWorld Sunmodule™ solar panel 280 watt mono data sheet

Plus SW 280 mono TUV Power controlled: Lowest measuring tolerance in industry Every component is tested to meet 3 times IEC requirements Designed to withstand heavy accumulations of snow and ice -0/+5 Wp WARRANTY Sunmodule Plus: Positive performance tolerance 25-year linear performance warranty and 10-year product warranty Glass with anti-reflective coating Anti-Reflective Coating World-class quality Fully-automated production lines and seamless monitoring of the process and material ensure the quality that the company sets as its benchmark for its sites worldwide. SolarWorld Plus-Sorting Plus-Sorting guarantees highest system efficiency. SolarWorld only delivers modules that have greater than or equal to the nameplate rated power. 25 years linear performance guarantee and extension of product warranty to 10 years SolarWorld guarantees a maximum performance degression of 0.7% p.a. in the course of 25 years, a significant added value compared to the two-phase warranties common in the industry. In addition, SolarWorld is offering a product warranty, which has been extended to 10 years.* *in accordance with the applicable SolarWorld Limited Warranty at purchase. www.solarworld.com/warranty solarworld.com Plus SW 280 mono PERFORMANCE UNDER STANDARD TEST CONDITIONS (STC)* PERFORMANCE AT 800 W/m², NOCT, AM 1.5 Maximum power Pmax Maximum power Pmax Open circuit voltage Voc 39.5 V Open circuit voltage Voc 36.1 V Maximum power point voltage Vmpp 31.2 V Maximum power point voltage Vmpp 28.5 V 280 Wp 209.2 Wp Short circuit current

European Journal of Medical Research - Bioforce AG

European Journal of Medical Research Study Summary November 2009 Sore throat: echinacea-sage spray just as effective as standard medication1 Study objective The first symptom of almost all acute respiratory infections (ARI) is sore throat, which is caused mainly by viral infections of the nasopharynx. Even the most widespread etiological agents of common cold – rhinoviruses – first affect the throat where they cause soreness and only then spread to the nasal region [2]. A considerable proportion of all common cold treatments are therefore formulated to combat and relieve sore throat and the associated inflammation-induced symptoms such as swallowing difficulties. The study described evaluates the effectiveness of acute treatment with a throat spray containing echinacea (Echinacea purpurea) and sage (Salvia officinalis) compared to a standard combination preparation of chlorhexidine and lidocaine in acute painful tonsillitis and/or pharyngitis [1]. Investigators PD Dr. med. Andreas Schapowal, Landquart Allergy Clinic/CH, D. Berger, Schüpfen/CH, Dipl.Math. Peter Klein, Rohrbach/D and Andy Suter, Roggwil/CH and 11 general practitioners. Study design The study was conducted as a multicentre (11 general practices), randomised, double-blind, placebo-controlled trial with a double-dummy design in two parallel groups. The objective was to test the non-inferiority of the echinacea/sage spray compared to the chlorhexidine/lidocaine spray. Study participants After approval by the ethics committees, 154 patients with acute pharyngitis or tonsillitis and sore throat were enrolled in the study. Inclusion criteria: age > 12 years, onset of symptoms < 72h before enrolment and tonsillopharyngitis symptom index ≥ 6. The exclusion criteria related to the use of various medications prior to study enrolment (analgesics < 12h, antibiotics < 24h, mouth and throat therapeutic preparations < 4h, systemic corticosteroids < 1 month). Further reasons for exclusion: bacterial infections or severe systemic diseases, allergies/intolerance to ingredients of the products, as well as pregnancy and breast feeding. Study medications The plant-based active preparation consisted of extracts of Echinacea purpurea (L.) Moench (Echinaforce® concentrate: fresh herb – 95%, roots – 5%) and Salvia officinalis in an extract ratio of 67.8% : 32.2% (A.Vogel Halsschmerz Spray®, A.Vogel AG). The chemically defined reference product contained 1% chlorhexidine gluconate and 2% lido-caine HCl (Collunosol®, Sanofi AG). The placebos used for the double-dummy technique largely corresponded in appearance, taste and aroma to the original products.

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