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Menguak Risiko, Menggagas Makna Baru Pembangunan Rangkuman dan Temuan-Temuan Utama United Nations UNISDR berterima kasih kepada organisasi-organisasi yang logonya tercantum di bawah ini atas sumbangan finansial dan berarti mereka ntuk penyusunan Laporan Pengkajian Global tentang Pengurangan Risiko Bencana 2011 ini. Selain itu, sumber daya finansial juga telah secara berlimpah disumbangkan oleh, antara lain, Komisi Eropa, dan Pemerintah Jepang, Norwegia, dan Amerika Serikat. Daftar ucapan terima kasih yang lengkap ada di laporan utama. Judul asli: 2011 Global Assessment Report on Disaster Risk Reduction Revealing Risk, Redefining Development © United Nations 2011. Hak cipta dilindungi. Disclaimer: Pandangan-pandangan yang diungkapkan di dalam publikasi ini tidak dengan sendirinya mencerminkan pandangan-pandangan Sekretariat Perserikatan Bangsa-Bangsa (PBB). Penggunaan penyebutan dan penyajian bahan tidak menunjukkan ungkapan pendapat apapun dari Sekretariat PBB tentang status hukum satu negara, teritori, kota atau wilayah, atau pihak-pihak berwenangnya, atau tentang delinenasi garis depan atau perbatasan. Gambar sampul depan: iStockphoto®, © arindambanerjee Penyuntingan, desain, tata letak, dan produksi: Green Ink, Devon, UK Konsep desain: Parsons New School for Design, New York, USA Dicetak oleh: Information Press, Oxford, UK Laporan Pengkajian Global tentang Pengurangan Risiko Bencana 2011 Menguak Risiko, Menggagas Makna Baru Pembangunan Rangkuman dan Temuan-Temuan Utama United Nations Laporan Pengkajian Global tentang Pengurangan Risiko Bencana 2011 (2011 Global Assessment Report on Disaster Risk Reduction) disusun ketika bencana-bencana terus menyapu bersih hidup dan penghidupan jutaan penduduk di dunia. Dampak gempa bumi yang dahsyat di Haiti pada Januari 2010 dan banjir di Pakistan pada Juli 2010 menunjukkan betapa risiko bencana dan kemiskinan saling berkaitan erat. Sementara itu, pada 2011, banjir di Australia, gempa bumi di Christchurch, Selandia Baru, dan bencana gempa bumi, tsunami dan nuklir di Jepang timur laut yang meluluhlantakkan yang terjadi ketika laporan ini dikirim ke percetakan merupakan pengingat yang sangat tidak menggembirakan betapa negara-negara maju juga sangat terpapar.
Camera-warehouse is the one of the leading online retail store of top brands Digital SLR Cameras, Lenses and camera accessories. Top brands includes Nikon, Canon, Sony, Panasonic, Olympus, Fujifilm and Sandisk and also other accessories such as quality backpack bags, tripods and shoulder strap cases etc. For more information, please contact Camera-Warehouse, 689 Princes Hwy, Tempe, NSW 2044, Ph: (02) 8021-3444, Web: www.camera-warehouse.com.au
The Xf305 - Canon's freshest expert computerized camcorder for occasion videographers, producers, news gatherers, and live multi-Polaroid situations - is genuinely state of the symbolization.
For Bishop Enrico Dal Covolo, rector of the Pontifical Lateran University, Catholic universities can be models of authentic international higher education. The Lateran is under the direct authority of the Vatican and is thus known as the “University of the Pope”. Bishop Dal Covolo identifies its particular charism as the teaching of law, and its distinctive approach to that field exemplifies the synthesis of philosophy and theology that he says is vital to pursuing the fundamental questions. Uniquely among Rome’s pontifical universities, the Lateran offers degrees not only in canon law but also in Italian civil law, and the two branches of the discipline inform each other, he says.
Electronic Bazaar is inciting Canon EOS C300 Cinema Camera Body EF Mount , Featuring a trip Super 35mm Canon CMOS sensor, dynamic Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 gives striking film quality motion picture get, Price included GST and 7 days transport time.
Why does the sensor get dirty? Recognising when the sensor is contaminated. The basic internal parts of a Digital Single Lens Reflex Camera The best strategy to ensure a safe and successful sensor clean. The different sensor cleaning methods available today. When to clean the sensor Cleaning the Mirror and Focussing Screen Hygiene After reading through this material you should have a good knowledge of the inside of your DSLR, know when the sensor is contaminated and how to safely clean it using a method of your choice. The guide is quite long, as the intention is to educate as well as to inform. If you wish to skip any section, please use the chapter links above to move quickly around the article. Why does the sensor get dirty? Ten years ago, when most images were shot on film, dust was not much of a problem for photographers. Since a fresh piece of film was used for each exposure, any dust present on the film only affected that single exposure. Of course dust was a big problem for the photo laboratories that developed and printed film. A good lab would go to extraordinary lengths to prevent dust spots spoiling your prints. With today’s digital cameras, every exposure is made on the same imaging sensor. Hence a spot of dust on that sensor will appear on every image. Because most compact digital cameras have a fixed lens and a well-made case, dust does not often find its way inside the camera and onto the imaging sensor. Although its not unusual for an older compact camera to suffer from the odd spot or two of dust. However a digital single lens reflex camera has a removable lens.
Welcome from Practical Photography editor Andrew James HAS A DIGITAL SLR improved your photography? After a very unscientiﬁc straw poll I’ve concluded that most D-SLR users have found that owning one has enabled them to become better photographers. It’s the chance to experiment without incurring extra costs that does it. Therefore, D-SLR users try things that they’d never considered in the ﬁlm days. Of 2 | Get more from your digital SLR course, that also means that D-SLR users also take a lot of rubbish shots but if they learn from them, so what? Today’s D-SLRs are complex but it’s a shame if you don’t use some of the functions and features that the designers have seen ﬁt to squeeze inside the camera body. This ﬁeld guide is designed to highlight many of the handy things that your camera will do. Some you will have come across, some may still be hidden within the mind-boggling manual that was supplied with your camera. We’ve mainly used the Canon EOS 350D and Nikon D70s – two of the most popular enthusiast cameras – as our default models here. You may ﬁnd slight differences in operation if you own different cameras, so refer to your manual if in doubt. I hope you ﬁnd this guide useful.
The BeachTek DXA-SLR is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. The DXA-SLR is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The built-in signal indicators make it easy to verify the proper input levels at a glance while the level controls allow you to adjust the output level for optimum recording. The headphone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.
This operating manual explains the adapter function settings and how to use the adapter to record audio into the camera. ©BeachTek Inc. 2012 Thank You for Purchasing a BeachTek Product Congratulations on purchasing the most advanced custom designed audio adapter for DSLR cameras available today. This adapter is packed with features to enable you to record professional audio directly to your camera. • Before using this high quality device, please read this guide thoroughly to obtain the highest performance. • Please contact us if you have any problems or questions. Description The BeachTek DXA-SLR PRO is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR PRO uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. This allows you to record high quality audio directly to the camera which will always be in sync with the video. Direct audio recording eliminates the need to have a separate audio recording device and syncing the audio in post editing. The DXA-SLR PRO is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The inputs are transformer balanced for isolation and enhanced circuit protection. Built-in VU Meters makes it easy to verify the proper input levels at a glance, while the level controls allow you to adjust the output signal for optimum recording. Built-in fast acting limiters prevent distortion from overly hot inputs for worry free operation. The phone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR PRO is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.