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Camera-Warehouse - Australia's Favourite Digital Camera Store

Camera warehouse is the leading online retailer of top brands cameras, pentax dslr, sigma lenses, canon lenses, nikon lenses, ND filters, memory cards and other photographic accessories in Australia. For more information please contact with us now on- Camera-Warehouse 689 Princes Hwy Tempe, NSW 2044 Phone: 02 8021 3444 Web: http://www.camera-warehouse.com.au

Camera Store - TOP 5 DSLR CAMERAS

Visit http://www.camerastore.com.au/digital-slr-cameras Australia's largest camera retailers to know all about DSLR cameras.

2011 Global Assessment Report on Disaster Risk Reduction ...

Menguak Risiko, Menggagas Makna Baru Pembangunan Rangkuman dan Temuan-Temuan Utama United Nations UNISDR berterima kasih kepada organisasi-organisasi yang logonya tercantum di bawah ini atas sumbangan finansial dan berarti mereka ntuk penyusunan Laporan Pengkajian Global tentang Pengurangan Risiko Bencana 2011 ini. Selain itu, sumber daya finansial juga telah secara berlimpah disumbangkan oleh, antara lain, Komisi Eropa, dan Pemerintah Jepang, Norwegia, dan Amerika Serikat. Daftar ucapan terima kasih yang lengkap ada di laporan utama. Judul asli: 2011 Global Assessment Report on Disaster Risk Reduction Revealing Risk, Redefining Development © United Nations 2011. Hak cipta dilindungi. Disclaimer: Pandangan-pandangan yang diungkapkan di dalam publikasi ini tidak dengan sendirinya mencerminkan pandangan-pandangan Sekretariat Perserikatan Bangsa-Bangsa (PBB). Penggunaan penyebutan dan penyajian bahan tidak menunjukkan ungkapan pendapat apapun dari Sekretariat PBB tentang status hukum satu negara, teritori, kota atau wilayah, atau pihak-pihak berwenangnya, atau tentang delinenasi garis depan atau perbatasan. Gambar sampul depan: iStockphoto®, © arindambanerjee Penyuntingan, desain, tata letak, dan produksi: Green Ink, Devon, UK Konsep desain: Parsons New School for Design, New York, USA Dicetak oleh: Information Press, Oxford, UK Laporan Pengkajian Global tentang Pengurangan Risiko Bencana 2011 Menguak Risiko, Menggagas Makna Baru Pembangunan Rangkuman dan Temuan-Temuan Utama United Nations Laporan Pengkajian Global tentang Pengurangan Risiko Bencana 2011 (2011 Global Assessment Report on Disaster Risk Reduction) disusun ketika bencana-bencana terus menyapu bersih hidup dan penghidupan jutaan penduduk di dunia. Dampak gempa bumi yang dahsyat di Haiti pada Januari 2010 dan banjir di Pakistan pada Juli 2010 menunjukkan betapa risiko bencana dan kemiskinan saling berkaitan erat. Sementara itu, pada 2011, banjir di Australia, gempa bumi di Christchurch, Selandia Baru, dan bencana gempa bumi, tsunami dan nuklir di Jepang timur laut yang meluluhlantakkan yang terjadi ketika laporan ini dikirim ke percetakan merupakan pengingat yang sangat tidak menggembirakan betapa negara-negara maju juga sangat terpapar.

SBMPTN 2013 Biologi - Bisa Kimia

Doc. Name: SBMPTN2013BIO999 Doc. Version : 2013-10 | 01. Contoh keberadaan satwa pada suatu habitat yang dijaga dengan baik sebagai upaya pelestarian ex situ adalah… (A) Orang utan di hutan Kalimantan. (B) Cendrawasih di hutan Papua. (C) Rusa di Kebun Raya Bogor. (D) Pesut diSungai Mahakam. (E) Anoa di Pulau Sulawesi 02. Komunitas mikroba yang melekat pada suatu substrat/benda sehingga dapat merusak substrat/benda tersebut disebut… (A) Biodegradator. (B) Bioaktivator. (C) Biokatalis. (D) Biodeposit. (E) Biofilm. 03. Bagian sistem pencernaan yang berperan dalam memecah polipeptida menjadi oligopeptida adalah… (A) Duodenum. (B) Usus besar. (C) Lambung. (D) Jejunum. (E) Ileum. 04. Asam absisat melindungi tanaman yang mengalami kekurangan air melalui mekanisme… (A) Peningkatan pembentukan kutikula. (B) Penurunan tekanan turgor sel penjaga. (C) Peningkatan kecepatan pembelahan sel. (D) Penurunan kecepatan pembentangan sel. (E) Penghambatan pemanjangan sel epidermis. halaman 1 05. Pernyataan yang salah mengenai fotofosforilisasi siklik dan non siklik adalah… (A) Pada fotofosforilisasi non siklik sumber elektron yang memasuki Fotosistem II adalah molekul air, pada fotofosforilisasi siklik, sumber dari elektron adalah Fotosistem I. (B) Pada fotofosforilisasi non siklik penerima elktron terakhir adalah NADP, pada fotofosforilisasi siklik, penerima elektron terakhir adalah Fotosistem I. (C) Hasil dari fotofosforilisasi non siklik adalah ATP, NADPH, dan O2, sedangkan hasil dari fotofosforilisasi siklikhanya ATP. (D) Fotofosforilisasi non siklik melibatkan Fotosistem I dan II, fotofosforilisasi siklik hanya melibatkan Fotosistem II. 06. Perhatikan diagram saluran kreb berikut! Tahap dimana berlangsung hidrasi adalah (A) 1 dan 4 (B) 1 dan 5 (C) 2 dan 6 (D) 3 dan 7 (E) 3 dan 8 Kunci dan pembahasan soal ini bisa dilihat di www.zenius.net dengan memasukkan kode 3117 ke menu search. Copyright © 2013 Zenius Education SBMPTN 2013 Biologi, Kode Soal doc. name: SBMPTN2013BIO999 halaman 2 doc. version : 2013-10 | 07. Perhatikan gambar tahapan mitosis berikut! 10. Grafik berikut menunjukan kinerja insulin sintetis. Tahap telofase, metaphase, anaphase dan profasen ditunjukan oleh urutan angka…

SNMPTN 2012 - Siap Belajar
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SELEKSI NASIONAL MASUK PERGURUAN TINGGI NEGERI Disertai TRIK SUPERKILAT dan LOGIKA PRAKTIS Fisika IPA Disusun Oleh : Pak Anang Kumpulan SMART SOLUTION dan TRIK SUPERKILAT Pembahasan Soal SNMPTN 2012 Fisika IPA Kode Soal 634 By Pak Anang (http://pak-anang.blogspot.com) 16. Gerak sebuah benda dijelaskan oleh grafik hubungan antara kecepatan dan waktu seperti ditunjukkan gambar di bawah ini. TRIK SUPERKILAT: Jarak adalah luas daerah pada grafik 𝑣 − 𝑡: 𝑣(m/s) 4 −5 8 𝑡(s) −10 𝑠 = Luas segiempat + Luas trapesium 1 = (𝑝 × ℓ) + 𝑡(𝑎 + 𝑏) 2 1 = (5 × 4) + 4(5 + 10) 2 = 20 + 30 = 50 m Jarak yang ditempuh oleh benda hingga detik ke-8 adalah .... A. 60 m B. 50 m C. 45 m D. 40 m E. 30 m Penyelesaian: Ingat! Pada gerak GLB, jarak dirumuskan dengan: 𝑠 = 𝑣𝑡 Pada gerak GLBB, jarak dirumuskan dengan: 𝑠 = 𝑣0 𝑡 + 1 2 𝑎𝑡 2 Dari grafik kita bisa melihat bahwa benda bergerak mundur secara GLB pada detik ke-0 hingga detik ke-4. Sehingga, jarak yang ditempuh benda saat bergerak GLB adalah: 𝑠1 = 𝑣𝑡 = (−5) × 4 = −20 m Lalu benda kembali bergerak mundur secara GLBB pada detik ke-4 hingga detik ke-8, benda mengalami perlambatan sebesar: ∆𝑣 −10 − (−5) −5 = = = −1,25 ms −2 ∆𝑡 8−4 4 Sehingga jarak yang ditempuh benda saat bergerak GLBB adalah: 𝑎= 𝑠2 = 𝑣0 𝑡 + 1 2 1 𝑎𝑡 = ((−5) × 4) + ( × (−1,25) × (4)2 ) = (−20) + (−10) = −30 m 2 2 Jadi total jarak yang ditempuh benda adalah: 𝑠 = 𝑠1 + 𝑠2 = (−20) + (−30) = −50 m (tanda negatif menyatakan benda bergerak mundur) Bimbel SBMPTN 2013 Fisika by Pak Anang (http://pak-anang.blogspot.com) Halaman 1 17. Kedua ujung sebuah pegas yang memiliki tetapan pegas 50 N/m ditarik masing-masing dengan gaya sebesar 10 N yang saling berlawanan. Pertambahan panjang pegas tersebut adalah .... A. 0,0 m TRIK SUPERKILAT: B. 0,1 m Meskipun pegas menerima dua gaya yang sama besar dan C. 0,2 m berlawanan arah, bukan berarti pegas akan tambah panjang dua kali lipat. Karena kedua gaya tersebut adalah gaya aksi reaksi. D. 0,3 m Sehingga total pertambahan panjang pegas adalah 2𝑥. E. 0,4 m 𝐹 10 𝑥= Penyelesaian: 𝑘 = 50 = 0,2 m Ingat! Pada pegas berlaku: 𝐹 = 𝑘𝑥 Pada soal diketahui: 𝑘 = 50 N/m 𝐹1 = 10 𝑁 𝐹2 = −10 𝑁 (tanda negatif karena arah berlawanan dengan 𝐹1 ) Sehingga pertambahan panjang oleh sebuah gaya 𝐹 = 10 N pada pegas adalah: 𝐹 = 𝑘𝑥 ⇒ 𝑥 = 𝐹 10 = = 0,2 m 𝑘 50 𝑭𝟐 𝑭𝟏 𝑭𝟏 𝑭𝟐 𝒙 Jadi, meskipun ada dua gaya yang sama besar dan berlawanan pada pegas, namun dalam hal ini kedua gaya adalah pasangan gaya aksi-reaksi, sehingga gaya yang beriteraksi pada pegas sebenarnya hanyalah gaya sebesar 10 N saja. Jadi pertambahan panjang pegas adalah:...

Digital SLR Sensor Cleaning for Beginners August 08

Why does the sensor get dirty? Recognising when the sensor is contaminated. The basic internal parts of a Digital Single Lens Reflex Camera The best strategy to ensure a safe and successful sensor clean. The different sensor cleaning methods available today. When to clean the sensor Cleaning the Mirror and Focussing Screen Hygiene After reading through this material you should have a good knowledge of the inside of your DSLR, know when the sensor is contaminated and how to safely clean it using a method of your choice. The guide is quite long, as the intention is to educate as well as to inform. If you wish to skip any section, please use the chapter links above to move quickly around the article. Why does the sensor get dirty? Ten years ago, when most images were shot on film, dust was not much of a problem for photographers. Since a fresh piece of film was used for each exposure, any dust present on the film only affected that single exposure. Of course dust was a big problem for the photo laboratories that developed and printed film. A good lab would go to extraordinary lengths to prevent dust spots spoiling your prints. With today’s digital cameras, every exposure is made on the same imaging sensor. Hence a spot of dust on that sensor will appear on every image. Because most compact digital cameras have a fixed lens and a well-made case, dust does not often find its way inside the camera and onto the imaging sensor. Although its not unusual for an older compact camera to suffer from the odd spot or two of dust. However a digital single lens reflex camera has a removable lens.

DXA-SLR Manual V07 - Beachtek
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The BeachTek DXA-SLR is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. The DXA-SLR is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The built-in signal indicators make it easy to verify the proper input levels at a glance while the level controls allow you to adjust the output level for optimum recording. The headphone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.

DXA-SLR PRO Manual - Beachtek
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This operating manual explains the adapter function settings and how to use the adapter to record audio into the camera. ©BeachTek Inc. 2012 Thank You for Purchasing a BeachTek Product Congratulations on purchasing the most advanced custom designed audio adapter for DSLR cameras available today. This adapter is packed with features to enable you to record professional audio directly to your camera. • Before using this high quality device, please read this guide thoroughly to obtain the highest performance. • Please contact us if you have any problems or questions. Description The BeachTek DXA-SLR PRO is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR PRO uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. This allows you to record high quality audio directly to the camera which will always be in sync with the video. Direct audio recording eliminates the need to have a separate audio recording device and syncing the audio in post editing. The DXA-SLR PRO is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The inputs are transformer balanced for isolation and enhanced circuit protection. Built-in VU Meters makes it easy to verify the proper input levels at a glance, while the level controls allow you to adjust the output signal for optimum recording. Built-in fast acting limiters prevent distortion from overly hot inputs for worry free operation. The phone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR PRO is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.

Canon DSLR Error 99 Fix To isolate the cause of the issue, do the ...

Canon DSLR Error 99 Fix To isolate the cause of the issue, do the following: 1. Turn off the camera. 2. Remove the lens, battery, and CF card. 3. Allow the camera to sit without power for approximately 20 minutes. 4. Insert a fully charged battery, and turn on the camera. 5. Depress the shutter button as you would to take a picture. Does the “ERR 99″ message appear? If it does, then the camera should be serviced. If it does not, then please proceed to the next set of steps: 1. Turn off the camera. 2. Insert the CF card. 3. Turn on the camera. 4. Format the CF card in the camera. 5. Depress the shutter button as you would to take a picture. Does the “ERR 99″ message appear? If so, then the CF card is the most likely source of the issue. Try using a different card. If the message does not appear, please complete the following steps: 1. Turn off the camera. 2. Clean the lens contacts by gently rubbing them with a pencil eraser or soft cloth. Be careful that you do not let any debris fall into the camera body. Detach the lens from the camera, hold it so that the lens’ gold contacts are pointing down and lightly erase their exposed surface, cleaning them of any hand oil that might have gotten on them. You can use a regular old pencil with a red rubber eraser. Do the same thing with the gold contacts inside the camera body. This is a bit harder but it’s doable: just hold camera so lens opening points down so no gunk falls in. Erase lightly inside the camera. 3. Reattach your lens. 4. Turn on the camera. 5. Depress the shutter button as you would to take a picture. If the “ERR 99″ message only appears when one particular lens is attached, then that lens should be examined by a service technician. If you see the “ERR 99″ with a different Canon lens attached, then the camera should be serviced.

Camera Recommendation for Dental Photography January 2014

Camera Recommendation for Dental Photography January 2014 124 Edward Street, Room 346 Toronto, ON, Canada M5G 1G6 Tel: 416-979 4900 ext. 4414 Bauer Seminars: 905-264 9524 rita.bauer@dentistry.utoronto.ca Introduction The digital camera is a necessary tool in every dental practice. The type of digital camera system necessary will depend on the work being done and the output being produced. A Digital Single Lens Reflex, or DSLR, camera system is required for high quality close-up macro photography. A Ring Flash or Ring and Point Flash combination mounted on the front of the lens is required for any intra-oral photography. The lens required is dependent on the views necessary: • • • 90mm, 100mm or 105mm macro lens  extreme close-up, up to 2 teeth 85mm macro lens  up to a quadrant 60mm macro lens  no smaller than a full mouth While all these lenses allow you to focus on very small areas, it also means that the working distance between the lens and the subject is very short. This means that there will be a Using lenses with a shorter focal length, can result in the lens and the flash touching the cheek of the patient, if you try to get an extreme close up view. Restorative Dentists, Cosmetic Dentists, Prosthodontists and Periodontists, need this type of camera system, because of the extreme close up views, colour accuracy and definition that must be documented for this type of dentistry. Orthodontists can use a 60mm macro lens, because they typically document a full mouth. Mirrorless SLR systems: These cameras are currently only useful for hobby photography. While the small size of the cameras is very appealing, and close up views can be obtained with some of the lenses, the problem comes when lighting the objects. I have not found a flash for these cameras that will allow for a well-lit intra oral photograph without shadows. Hopefully this will change in the future. All cameras require a very specific set-up for clinical dentistry photography. Exposure set up and flash calibration will only be provided through photography courses or through purchases from Dental Photography suppliers. Contact Bauer Seminars, Carestream Dental, Dine Corp, Henrys Commercial Division, PhotoMed and Norman Cameras. If you are purchasing equipment through a regular camera ...

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