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Camera Recommendation for Dental Photography January 2014 124 Edward Street, Room 346 Toronto, ON, Canada M5G 1G6 Tel: 416-979 4900 ext. 4414 Bauer Seminars: 905-264 9524 firstname.lastname@example.org Introduction The digital camera is a necessary tool in every dental practice. The type of digital camera system necessary will depend on the work being done and the output being produced. A Digital Single Lens Reflex, or DSLR, camera system is required for high quality close-up macro photography. A Ring Flash or Ring and Point Flash combination mounted on the front of the lens is required for any intra-oral photography. The lens required is dependent on the views necessary: • • • 90mm, 100mm or 105mm macro lens extreme close-up, up to 2 teeth 85mm macro lens up to a quadrant 60mm macro lens no smaller than a full mouth While all these lenses allow you to focus on very small areas, it also means that the working distance between the lens and the subject is very short. This means that there will be a Using lenses with a shorter focal length, can result in the lens and the flash touching the cheek of the patient, if you try to get an extreme close up view. Restorative Dentists, Cosmetic Dentists, Prosthodontists and Periodontists, need this type of camera system, because of the extreme close up views, colour accuracy and deﬁnition that must be documented for this type of dentistry. Orthodontists can use a 60mm macro lens, because they typically document a full mouth. Mirrorless SLR systems: These cameras are currently only useful for hobby photography. While the small size of the cameras is very appealing, and close up views can be obtained with some of the lenses, the problem comes when lighting the objects. I have not found a flash for these cameras that will allow for a well-lit intra oral photograph without shadows. Hopefully this will change in the future. All cameras require a very speciﬁc set-up for clinical dentistry photography. Exposure set up and ﬂash calibration will only be provided through photography courses or through purchases from Dental Photography suppliers. Contact Bauer Seminars, Carestream Dental, Dine Corp, Henrys Commercial Division, PhotoMed and Norman Cameras. If you are purchasing equipment through a regular camera ...
The PUPIL CONTRACTS and CUT TO: 1 INT. MINISTRY OF MAGIC - ATRIUM - WIDER ANGLE - DAY 1 To find... HARRY POTTER, standing numbly beside ALBUS DUMBLEDORE amidst a MOB of REPORTERS. CAMERAS FLASH. Dumbledore’s hand finds his shoulder and Harry is moving, drifting through the chaos, Dumbledore protective, graceful, dignified. CLOSEUP - HARRY’S GLASSES His eyes dart from side to side. abstraction. We -- The lenses glimmer with DISSOLVE INTO: 2 EXT. LONDON OFFICE BUILDING - CONFERENCE ROOM - DAY 2 ... glass, a window, its surface prickling with another kind of ambient light. We are looking INTO a conference room where office workers sit around a table. But the light has caught one worker’s eye, then another, and soon they are all rising, stepping to the window, mesmerized by what lies beyond. (CONTINUED) 2 HARRY POTTER... HALF-BLOOD PRINCE - Rev. 11/6/07 CONTINUED: 2. 2 WORKERS’ POV - LONDON SKYLINE Blood-red and stormy. A VORTEX of CLOUDS -- strangely ominous -- hangs high in the sky, flashing from within, as if about to rain blood over the city. We -CUT INTO: THE STORM itself and... ... PLUMMET, London expanding, stretching out on all sides. We SWEEP madly OVER Charing Cross, leaving the Muggle world behind and SWOOP INTO... 3 EXT. DIAGON ALLEY - DAY 3 ... Diagon Alley just as the front window of OLLIVANDER’S WAND SHOP EXPLODES. Witches and wizards flee. In the drifting smoke, DEATH EATERS appear, accompanied by a tall, sinewy beast of a man, FENRIR GREYBACK. With a casual sweep of his hand he sends a wizard flying and a witch screams. In deep b.g., two Death Eaters abduct a SHROUDED FIGURE (Ollivander). Greyback grins, then APPARATES, along with the others... ... leaving Diagon Alley behind. The streets of London appear below once more, and then the river. Black trails -- the Death Eaters -- streak across the sky and then turn TRANSLUCENT as they encircle the MILLENNIUM BRIDGE. Pedestrians peer upward, bewildered, sensing a shift in the atmosphere. And then... The BRIDGE CRUMBLES into the THAMES, the image horrifyingly beautiful, as is the SOUND of it, a ROAR, a wail, the last cry of a lion. Then the image begins to FADE and all goes slowly SILENT, until only a WHISTLING WIND is heard and... 4
Card Game G CONTENTS 112 Cards as follows: 19 Blue cards - 0 to 9 19 Green cards - 0 to 9 19 Red cards - 0 to 9 19 Yellow cards - 0 to 9 8 Draw Two cards - 2 each in blue, green, red and yellow 8 Reverse cards - 2 each in blue, green, red and yellow 8 Skip cards - 2 each in blue, green, red and yellow 4 Wild cards 4 Wild Draw Four cards 4 Voldemort cards INSTRUCTION SHEET SPECS: Uno Instructions Toy: T8231 Toy No.: -0920 Part No.: 4.25” W x 19.25 " H Trim Size: 4.25” W x 2.75” H Folded Size: 1 panel w 7 panel h Type of Fold: Object of the Game 1 (one) both sides # colors: Be the ﬁrst player to get rid of all of your cards in each round and score points for the cards your opponents are left holding. Points in rounds accumulate and the ﬁrst player to reach 500 points wins.. Black Colors: White Offset Paper Stock: 70 lb. Paper Weight: Setup EDM No.: 1. Each player draws a card; the player that draws the highest number deals (count any card with a symbol as zero). 2. The dealer shufﬂes and deals each player 7 cards. 3. Place the remainder of the deck facedown to form a DRAW pile. 4. The top card of the DRAW pile is turned over to begin a DISCARD pile. NOTE: If any of the Action Cards (symbols) are turned over to start the DISCARD pile, see FUNCTIONS OF ACTION CARDS for special instructions. Let’s Play The person to the left of the dealer starts play. On your turn, you must match a card from your hand to the card on the top of the DISCARD pile, either by number, color or symbol (symbols represent Action Cards; see FUNCTIONS OF ACTION CARDS). EXAMPLE: If the card on the DISCARD pile is a red 7, the player must put down a red card OR any color 7. Alternatively, the player can put down a Wild card (See FUNCTIONS OF ACTION CARDS). If you don’t have a card that matches the one on the DISCARD pile, you must take a card from the DRAW pile. If the card you picked up can be played, you are free to put it down in the same turn. Otherwise, play moves on to the next person in turn. You may also choose NOT to play a playable card from your hand. If so, you must draw a card from the DRAW pile. If playable, that card can be put down in the same turn, however you may not play any other card from your hand after the draw.
Aug 28, 2007 ... screenplay by Steve Kloves based on the novel by J.K. Rowling This script is the confidential and proprietary property of Warner Bros. Pictures and no portion of it may be performed, distributed, reproduced, used, quoted or published without prior written permission. WARNER BROS. PICTURES INC. 4000 Warner Boulevard Burbank, California 91522 August 28, 2007 © 2007 WARNER BROS. ENT. All Rights Reserved HARRY POTTER... HALF-BLOOD PRINCE - Rev. 11/6/07 1. DARKNESS. THUNDER -- or something like it -- sounds in the distance. BOOM. Then again. BOOM. We GLIDE THROUGH the inky blackness. Ambient flashes illuminate the silhouette of the WB LOGO. We PASS THROUGH. INTO more darkness. Lost. More FLASHES. And we -CUT TO: A SINGLE EYE Blank behind glasses. we -- FLASH! The PUPIL CONTRACTS and CUT TO: ... INT. MINISTRY OF MAGIC - ATRIUM - WIDER ANGLE - DAY 1 To find... HARRY POTTER, standing numbly beside ALBUS DUMBLEDORE amidst a MOB of REPORTERS. CAMERAS FLASH. Dumbledore’s hand finds his shoulder and Harry is moving, drifting through the chaos, Dumbledore protective, graceful, dignified. CLOSEUP - HARRY’S GLASSES His eyes dart from side to side. abstraction. We -- The lenses glimmer with DISSOLVE INTO: 2 EXT. LONDON OFFICE BUILDING - CONFERENCE ROOM - DAY 2 ... glass, a window, its surface prickling with another kind of ambient light. We are looking INTO a conference room where office workers sit around a table. But the light has caught one worker’s eye, then another, and soon they are all rising, stepping to the window, mesmerized by what lies beyond. (CONTINUED)
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The Upgrade option is not available in Windows 7 Setup when installing Windows 7 on a computer running Windows XP. However, you can use Windows Easy Transfer to migrate files and settings from Windows XP to Windows 7 on the same computer. To do this, you must first copy files to a removable media, such as an external hard drive or UFD, or to a network share. Next, you will install Windows 7 and then migrate your files back from the removable media onto your computer. When you are finished, you must install your software programs again, but your files and settings will have been copied from Windows XP. Copy files using Windows Easy Transfer 1. Insert the Windows 7 DVD while running Windows XP. If the Windows 7 installation window opens automatically, close it. 2. Open Windows Explorer by right-clicking the Start menu, and then clicking Explore. 3. Browse to the DVD drive on your computer and click migsetup.exe in the Support\Migwiz directory. The Windows Easy Transfer window opens. 4. Click Next. 5. Select An external hard disk or USB flash drive. 6. Click This is my old computer. Windows Easy Transfer scans the computer. 7. Click Next. You can also determine which files should be migrated by selecting only the user profiles you want to transfer, or by clicking Customize. 8. Enter a password to protect your Easy Transfer file, or leave the box blank, and then click Save. 9. Browse to the external location on the network or to the removable media where you want to save your Easy Transfer file, and then click Save. 10. Click Next. Windows Easy Transfer displays the file name and location of the Easy Transfer file you just created. Viglen Limited, VHQ, 7 Handley Page Way, Old Parkbury Lane, Colney Street, St. Albans, Hertfordshire AL2 2DQ Tel: 01727