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Camera warehouse is the leading online retailer of top brands cameras, pentax dslr, sigma lenses, canon lenses, nikon lenses, ND filters, memory cards and other photographic accessories in Australia. For more information please contact with us now on- Camera-Warehouse 689 Princes Hwy Tempe, NSW 2044 Phone: 02 8021 3444 Web: http://www.camera-warehouse.com.au
Why does the sensor get dirty? Recognising when the sensor is contaminated. The basic internal parts of a Digital Single Lens Reflex Camera The best strategy to ensure a safe and successful sensor clean. The different sensor cleaning methods available today. When to clean the sensor Cleaning the Mirror and Focussing Screen Hygiene After reading through this material you should have a good knowledge of the inside of your DSLR, know when the sensor is contaminated and how to safely clean it using a method of your choice. The guide is quite long, as the intention is to educate as well as to inform. If you wish to skip any section, please use the chapter links above to move quickly around the article. Why does the sensor get dirty? Ten years ago, when most images were shot on film, dust was not much of a problem for photographers. Since a fresh piece of film was used for each exposure, any dust present on the film only affected that single exposure. Of course dust was a big problem for the photo laboratories that developed and printed film. A good lab would go to extraordinary lengths to prevent dust spots spoiling your prints. With today’s digital cameras, every exposure is made on the same imaging sensor. Hence a spot of dust on that sensor will appear on every image. Because most compact digital cameras have a fixed lens and a well-made case, dust does not often find its way inside the camera and onto the imaging sensor. Although its not unusual for an older compact camera to suffer from the odd spot or two of dust. However a digital single lens reflex camera has a removable lens.
The BeachTek DXA-SLR is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. The DXA-SLR is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The built-in signal indicators make it easy to verify the proper input levels at a glance while the level controls allow you to adjust the output level for optimum recording. The headphone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.
This operating manual explains the adapter function settings and how to use the adapter to record audio into the camera. ©BeachTek Inc. 2012 Thank You for Purchasing a BeachTek Product Congratulations on purchasing the most advanced custom designed audio adapter for DSLR cameras available today. This adapter is packed with features to enable you to record professional audio directly to your camera. • Before using this high quality device, please read this guide thoroughly to obtain the highest performance. • Please contact us if you have any problems or questions. Description The BeachTek DXA-SLR PRO is a two-channel, active XLR adapter with built-in preamplifiers for attaching external microphones and other audio gear to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. The DXA-SLR PRO uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. This allows you to record high quality audio directly to the camera which will always be in sync with the video. Direct audio recording eliminates the need to have a separate audio recording device and syncing the audio in post editing. The DXA-SLR PRO is very easy to set up and use. It allows you to connect a wide variety of audio devices including wireless systems, mixers, sound boards and professional condenser microphones that require 48 volt phantom power to operate. The inputs are transformer balanced for isolation and enhanced circuit protection. Built-in VU Meters makes it easy to verify the proper input levels at a glance, while the level controls allow you to adjust the output signal for optimum recording. Built-in fast acting limiters prevent distortion from overly hot inputs for worry free operation. The phone jack lets you monitor the audio from the adapter during recording, or camera during playback. A unique feature of the DXA-SLR PRO is the ability to control the wild swings of the Auto Gain Control that plague most cameras. This dramatically reduces noise during quiet moments of recording. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod.
Canon DSLR Error 99 Fix To isolate the cause of the issue, do the following: 1. Turn off the camera. 2. Remove the lens, battery, and CF card. 3. Allow the camera to sit without power for approximately 20 minutes. 4. Insert a fully charged battery, and turn on the camera. 5. Depress the shutter button as you would to take a picture. Does the “ERR 99″ message appear? If it does, then the camera should be serviced. If it does not, then please proceed to the next set of steps: 1. Turn off the camera. 2. Insert the CF card. 3. Turn on the camera. 4. Format the CF card in the camera. 5. Depress the shutter button as you would to take a picture. Does the “ERR 99″ message appear? If so, then the CF card is the most likely source of the issue. Try using a different card. If the message does not appear, please complete the following steps: 1. Turn off the camera. 2. Clean the lens contacts by gently rubbing them with a pencil eraser or soft cloth. Be careful that you do not let any debris fall into the camera body. Detach the lens from the camera, hold it so that the lens’ gold contacts are pointing down and lightly erase their exposed surface, cleaning them of any hand oil that might have gotten on them. You can use a regular old pencil with a red rubber eraser. Do the same thing with the gold contacts inside the camera body. This is a bit harder but it’s doable: just hold camera so lens opening points down so no gunk falls in. Erase lightly inside the camera. 3. Reattach your lens. 4. Turn on the camera. 5. Depress the shutter button as you would to take a picture. If the “ERR 99″ message only appears when one particular lens is attached, then that lens should be examined by a service technician. If you see the “ERR 99″ with a different Canon lens attached, then the camera should be serviced.
Camera Recommendation for Dental Photography January 2014 124 Edward Street, Room 346 Toronto, ON, Canada M5G 1G6 Tel: 416-979 4900 ext. 4414 Bauer Seminars: 905-264 9524 firstname.lastname@example.org Introduction The digital camera is a necessary tool in every dental practice. The type of digital camera system necessary will depend on the work being done and the output being produced. A Digital Single Lens Reflex, or DSLR, camera system is required for high quality close-up macro photography. A Ring Flash or Ring and Point Flash combination mounted on the front of the lens is required for any intra-oral photography. The lens required is dependent on the views necessary: • • • 90mm, 100mm or 105mm macro lens extreme close-up, up to 2 teeth 85mm macro lens up to a quadrant 60mm macro lens no smaller than a full mouth While all these lenses allow you to focus on very small areas, it also means that the working distance between the lens and the subject is very short. This means that there will be a Using lenses with a shorter focal length, can result in the lens and the flash touching the cheek of the patient, if you try to get an extreme close up view. Restorative Dentists, Cosmetic Dentists, Prosthodontists and Periodontists, need this type of camera system, because of the extreme close up views, colour accuracy and deﬁnition that must be documented for this type of dentistry. Orthodontists can use a 60mm macro lens, because they typically document a full mouth. Mirrorless SLR systems: These cameras are currently only useful for hobby photography. While the small size of the cameras is very appealing, and close up views can be obtained with some of the lenses, the problem comes when lighting the objects. I have not found a flash for these cameras that will allow for a well-lit intra oral photograph without shadows. Hopefully this will change in the future. All cameras require a very speciﬁc set-up for clinical dentistry photography. Exposure set up and ﬂash calibration will only be provided through photography courses or through purchases from Dental Photography suppliers. Contact Bauer Seminars, Carestream Dental, Dine Corp, Henrys Commercial Division, PhotoMed and Norman Cameras. If you are purchasing equipment through a regular camera ...
Preparing the camera Before your operation Shooting images Using the shooting function Using the viewing function Changing your setup Viewing images on a computer Printing images Additional information on this product and answers to frequently asked questions can be found at our Customer Support Website. Digital Single Lens Reflex Camera Instruction Manual DSLR-A330/A380 Printed on 70% or more recycled paper using VOC (Volatile Organic Compound)-free vegetable oil based ink. Owner’s Record The model and serial numbers are located on the bottom. Record the serial number in the space provided below. Refer to these numbers whenever you call upon your Sony dealer regarding this product. Model No. DSLR-A330/A380 Serial No. __________________________ WARNING To reduce fire or shock hazard, do not expose the unit to rain or moisture. IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS. DANGER - TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, CAREFULLY FOLLOW THESE INSTRUCTIONS. If the shape of the plug does not fit the power outlet, use an attachment plug adaptor of the proper configuration for the power outlet.
The Azden FMX-DSLR is a 2-channel portable mixer with built-in preamplifiers that will enable you to attach external microphones and other audio gear to any DSLR camera with a built-in mic jack. The FMX-DLSR uses exceptionally low noise, wide bandwidth preamplifiers for superb audio. It allows you to connect a wide variety of audio devices including wireless systems, sound boards and professional condenser microphones that require 48V phantom power to operate. The FMX-DSLR is equipped with the AGC On/Off switch that will allow you to control the wild swings of the Auto Gain Control (AGC) that plague most cameras. With the switch in off position, it will reduce noise during quiet moments of recording. The mixer mounts to the bottom of the camera and can also be mounted to any standard tripod.
Created by James Ryan Carssow © 2009 Digital SLR photography guide by Ryan Carssow, © 2009 Why buy/use a digital SLR camera? • • • • • flexibility speed manual control to take your photographic possibilities beyond the limitations of “point and shoot” better inherent image quality because of larger imaging sensors and more sophisticated exposure meters and autofocus systems What is a DSLR camera and how is it different from other types of digital cameras? • DSLR = digital single lens reflex . An internal mirror reflects the view directly from the photographic lens into the viewfinder. When the button is pressed to take a photo, this mirror is instantly pulled upward (this is the “clicking” or “tapping” noise you hear) and out of the way of the shutter, which slides open to expose the imaging sensor (the digital “film”). Because you see directly through the photographic lens, there is no need for a second “viewing” lens (as with older camera designs), thus – single lens reflex. • The SLR design is superior to other designs because it allows the photographer to see through the viewfinder exactly what is seen through the lens and what will be “seen” by the imaging sensor. When looking through the viewfinder of non -SLR cameras, the image seen is not exactly the same that the imaging sensor or film “sees”. • Point-n-shoot digital cameras have electronic LCD viewing screens at the rear of the camera that show a digital representation of the view through the lens. But an SLR is still the only camera style that allows a real-time optical view through the photographic lens. This inherently allows for faster and more precise operation of an SLR camera over other types. About user manuals and this guide DSLRs (and for that matter all digital cameras) are capable of many different options and uses. Learning to use a digital camera is in some ways like learning to use a computer or cell phone or any other electronic device.